SERVICES / 02 — EXPERIENCE
Brand film, directed.
Twenty years directing commercials for major brands, now pointed at yours. Story, craft, and a single point of authorship on the final cut.
At a glance
- Built in
- Real sets, AI-generated, or a hybrid. Shot in-house, or a production crew on the brief.
- Good fit
- Brands whose film has to sit alongside a site and a story we also shape, so the two read as one thing rather than two suppliers.
- Not for
- Standalone production with a finished script and a fixed shot list. That is a job for a production house, and they will do it more cheaply.
- Brand & Commercial Film
- Product & Brand Photography
- Art & Photo Direction
- Motion
- Content for Web & Social
- Concept & Storyboard
*Small jobs, we shoot in-house. When scale calls for it, a deep network of freelance producers and production houses spins up around the brief: real sets, AI-generated, or a hybrid of both, whatever the story needs. The direction never changes hands.
One brand. One hand.
Two decades on set decide what makes the cut: the judgment a production house won't sell you, and a model can't learn. We direct; the crew executes. You're buying the eye, not the equipment.
The film isn't a separate deliverable bolted on afterward.
Positioning, site, and film come from the same hands, so the story that moves on screen and the one that loads in the browser stay the same story. See how it continues on the site →
FAQ
Straight answers to what founders actually ask.
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Both, director-led. Small jobs we shoot in-house; larger ones spin up a network of freelance producers and production houses around the brief. Either way the direction stays with us: we set the frame, the crew fills it.
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That's the whole point. The same hands that shape your positioning and build your site direct the film, so nothing reads like it came from a different brand.
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Whatever the story needs: real sets, AI-generated, or a hybrid of both. The tool serves the frame, never the other way around.
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We don't publish a range, because production cost swings with scale in a way the other layers don't: an in-house shoot and a crewed set are different orders of magnitude. We scope it against the story, and you get the number before anything is booked.
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One call of thirty minutes, and by the end you'll know whether we can help. If we're a fit, a proposal follows that names the scope and the price.
Tell us about your project
Let's build something exceptional.
One call, 30 minutes, and you'll know whether we can actually help. If the answer is no, we usually know who's a better fit.
